hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

with another release that is made to be a soundtrack for sunny open air scenarios, acker records keeps living up to its name and pays tribute to the current summer season. in doing so, the label from mecklenburg one more time steps out of the line, since this release again distinguishes itself by a refreshing otherness. light and easy piano plonking as well as the lascivious french voice of singer rebecca dominate the atmosphere of ici, while its minimal electronic groove discreetly remains in the background. a really tropical feeling evolves in the long version of this track when playful synthesiser chords give rise to the idea of a steel drum. in his remix, mollono.bass manages to combine the very song-orientated approach of the original with a bouncy electronic arrangement. thus he not only creates a lot of dance floor thrust, but also provides the perfect link to rather conventional productions.

audio phreaks new signing archie cane has been causing some seriously big waves on the dubstep circuit of late and when you hear his music, you will understand exactly why. a recent upload from ukf that is a collaboration with dream has really got people talking!here is his first vinyl release to date and boy does it pack a punch! >kill everything< on the a side is a all out, in your face bass monster! gritty and technical low frequencies make up the production with heavy beats slicing through the track. 2 tunes that compliment the release very well. dont miss out, i m like you, very limited press on this one.

finally its here! moustache is proud to present the superhit memories by alden tyrell featuring the voice of italo - fred ventura. the original version takes you back to 1983 combining rolling basslines and heavy synths with freds outstanding lyrics. this is a true masterpiece which has already been a major hit on the cybernetic broadcasting system. the flipside contains an instrumental version of the original as well as a state of art remix by fred ventura and stefano tirone for state of art 2.0. stefano is the original songwriter from jock hattle and part of flexx when they made the futuro e donna soundtrack. the remix is really easy going and great for lazy sunday afternoons on the couch. cutted by the legendary lex van coeverden. 500 copies only!

vinyl only - 250 copies worldwide.

excellent house release on aux rec... with brilliant track from leonel castillo / franco cinelli / sloe clap

kormacs latest release for scribble records sees him teaming up with old pal mc little tee for the ska driven >superhero< while the guitar and string laden >another screen< is a collaboration with literary great irvine welsh (trainspotting, the acid house, skagboys). >another screen< came about when kormac turned up on welshs edinburgh doorstep with the track written especially for him. rather than take out a restraining order the generous author took him in, fed and watered him and sent him home with the track complete. the result is a double header of contrasting styles that prove kormac is on a creative high.

check this out - before going on holiday here it comes! for the most sophisticate clubbers, a new pearl signed wwr, the current most ambiguous label! lazy but not dead, when the duo altarboy moves its ass theres no crap to cut. the synth programmings on this 12 inch is pure analogical sound. the lows on the two tracks draw the rhythm with an able mix of roland, korg e moogs timbre. the rest comes around and sounds great. the detune on the second part of lazy ass is for real experts. go rejoin yourself with the well done house.

when discussing producers with consistently good outputs, few compare with jan driver. just pulled out his debutalbum amatilda last year, jan driver again dished out an extra tasty and promising morsel: this one-shot named peaker comes with a gigantic brightness in sound and is not less than a slammy hand-clapping celebratory basher. the and heavy subbasses are literally all over the place. jan driver signatures for sure! it has the exact fair amount of tension a track needs to sound excited and to infect your eardrum. on the flip side, action flowers rework pad the track with a golden summerdress, adding a magnificent arpeggio sequence so perfectly complementary to the original sound, its shimmering all the way to the solar system.peaker is proven to be one of our favourite summer releases in 2012 thus far, with its take on a slower beat and more of a late night come-down vibe apparent. you know that feeling when you hear that perfect song for the first time? well, it just happened. twice. weve got goosebumps. were feverish. were sweaty.time for the summer to come. now we impatiently wait. were just a little excited, you know?

highlive are introducing themselves with an interesting mixture of musical visions thru their first ep accurately titled >a thing called fusion<. its title track is an elegant melting of bass lines, easy highs and simple melody conduction. yet you never get annoyed nor are you expecting jim morrison to open a door, but it happens. there is a psychedelic touch when you least expect it.
enjoy a musical high in your life, enjoy highlive – a thing called fusion ep!

when it comes to and strikes you, it works. this is the only thing that rules only300 familys sound, an edm label born in milan in the end of 2011. tech house with no strings attached is the reference point to start from and experiment with, together with the diverse influences of a genre in progress. our musical research - coming from only300 (milan) staff vision - goes beyond ideological bounds between means of production: no matter if its digital or analogue, the point is the emotion behind the sound, even if it comes to your legs, heart or brain. o300f sees flying high records - not just dance floor/club/listening oriented - and it thinks that labels are just gilded cages.

tony ollivierras issued a generous number of singles and eps under the ibex moniker on rushhour, planet e, yore, and his own ibex music, and now follows up his 2010 yore release, meltdown, with absolution, though this time under his birth name. no matter: ollivierras music sounds great, whether issued under his real name or an alias, and absolution is no exception. the infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the tracks multi-layered splendour. a jazzier dimension rises to the surface of quick release when the tunes churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads.phase down opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that ollivierras naturally funky side cant help but emerge, here as it does elsewhere.

the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

coinciding with the cinema premier of bar25 – tage ausserhalb der zeit (bar25 –days out of time), the bar25 label is releasing the official soundtrack. together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut. the result is a remarkable compilation of works from a number of music genres – a unique collection of musical contributions by steadfast companions of the exceptional place that was bar25. this 12inch inch is a very special present to our vinyl friends.like the film, this compilation a tiny testament for eternity to the late, great bar25 something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.

another slamming release from veteran producers jay lumen (saved / mistakes) and gary beck (soma/perc trax). on their own they are pretty amazing so imagine what they are like when their talents are combined. this drumcode bomb is an essential for any techno box, lets face it this one will do the damage!

fresh vegetables from alex kork!
you will see how it sounds and looks like when a broccoli is pressed in a 12inch.

excellent 4 track vinyl with sexy house tracks

as i look to the sky from the surface of the water is the much awaited second album from grit, aka london producer gary brackley and it has found a perfect home on meanwhile. the label is well placed to be an outlet for grits explorations deep into the realm of deep techno, thanks to its standing within the techno community and this album stands tall alongside contributions from the likes of murmur, sven weismann, bvdub and conforce. opening with the expansive title track, grit sets the tone for what to expect with the ripple of syncopation shifting in and out of focus amidst the viscous layers of foggified luminescent ambient texture. across the subsequent five tracks this tone is retained throughout as brackley playfully explores the inventive sparks that arise when rhythm rubs with texture, with the smudged out subaqueous >safer retreat< a real highlight.

big with m.a.n.d.y.,tiefschwarz , pan-pot, butch,rodriguez jr, sasse, kiki, deepchild, marco resmann, catz n dogz, coyu, martin eyerer, chloe , cormac & benoit c.. kai & holger return from their stateside adventures with matthew pervert on get physical. ‘matthew pervert’ is a slow buidling groove attack. saucy percussion sets the mood for a deep pumping bass under chords. a sassy vocal adds to the analogue ambience, worked in a coat of reverb and doused with delay. a sexy sound for steamy nights on the neverending dancefloor sessions smash tv are known for. the second track, ‘please’, starts immediately with a deep horn falling under kicks. a touch of techno emerges from the darkness and drives us insane. followed by deep vocal lines and foggy chords to melt us at the core. this is your evening high, the point when you float away and the music takes you to a place beyond the dancefloor. looking forward to hearing this in the next set from the boys.

micro mega ist eine mischung aus high-class-house,nu-disco, techno und dubstep. strip steve offerbart darin seine liebe zu rave (stomp), die sonnige seite der 80er (radiocheck) und zu darkeren sounds (calcium feat. the glow). hoehepunkt und erste single ist die koop mit dem kalifornischen dreampop-duo puro instinct, astral projection, ein musikalischer leckerbissen mit einflüssen von den beach boys bis chic.dem folgt der hypnotische dancefloor-knaller one thing, dessen kombination aus strip steve starken soundlines und robert owens himmlischer stimme magische momente ausloest.ein ueberaus gelungenes debuetalbum - von micro zu mega!

98 releases strong and showing no signs of slowing when it comes to unearthing fresh talent and delivering high quality house music, this time crosstown rebels might just have discovered the new lady of house in francesca lombardo, judging by her exquisite debut - changes ep.

being the hopeless romantics we are here at circus company, when we fall for an artist we tend to do it head over heels. you may have witnessed this in the past with some of our dearest protégés, from dave aju to nicolas jaar. now we are embarking on the same kind of whirlwind affair with franck roger, the glow only just retreating from our cheeks after he won our hearts with the i take you up ep. like a well-seasoned casanova, franck has found the perfect way to follow up that first date with an even deeper reflection of himself as an artist, leaving us flustered and quite simply stunned by his charm.

ready to get weird this summer? matthew dekay and lee burridge certainly are with the launch of their second imprint in 6 months following the success of their first label all day i dream. while adid represents their love of all things emotional and melodic and embraces thier signature sound perfect for their outdoor parties of the same name get weird will see releases geared towards the music they play after dark. a place to showcase more dubby, techy, slinky and sultry rhythms to hypnotize dancefloors when the sun goes down.

five excellent cuts by arcanoid, who has already shown us how talented he is when it comes to producing advanced electro/techno on his previous releases on semantica and transhuman.

when dynamodyse made his debut on wph back in 2009 he struck a chord (pun intended) with lovers of emotional deep house worldwide. hailing from dortmund, mathias matze schmitt is a special character that immediately fit the bunch of wph nutters, so it was only a matter of time before he would be back with a second release. which incidentally will be his second release ever, which goes to show how much he trusts wph and how much wph trusts dynamodyse.

nice price deal !!! jean-baptiste de laubier, aka para one, has always been an hyperactive guy. he first started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap artists.
limited edition clear / translucent vinyl, including cd-copy of the full album.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

nice price deal !!! after three releases of darkened house, proto rave and weird techno, hollands boutique purple maze label takes a detour into funky disco territory with prime numbers and firecracker craftsman fudge fingas at the helm. his amaranthine labyrinth ep is lively, bright and sugary, but still features plenty of complex analogue machinery to get you dancing.eyes on the prize opens proceedings with some distant bongos, glassy percussion and punchy kick drums. its a jostling track with insistent claps running right through it that really comes alive when some sweeping chords bring irresistible colour and funk.

what can you expect when you have such a wild album for the 5 years of material.part 2 for the material remixes featuring pig & dan, rino cerrone, pherox and nicolas masseyeff. 300 copies only

this release should have an all natural ingedients sticker on it. all sounds you hear are from traditional instruments - recorded on various occasions in ivory coast. it took mr raoul k quite some time to get his hand on all the raw materia he needed. he then cut it in bits and pieces and rearranged the sonic puzzle to a slowly evolving track. join his journey that starts in the cold of a desert at night. the temperature rises with the sun. when things heat up too much, you have to take a rest in the shadows beneath a tree. meet some fiends, talk and relax - but dont get lost. keep you groove alive and head toward your destination. choose vinyl, please!!!

coloured vinyl bomb alert! hrdvsions prettier than that is a monster,created by a monster and is perfectly suited for the likes of wagon repair. dim the lights, because when this record drops its going to get freaky! on the flip side, midnight operator (the duo of mathew jonson and hrdvsion) bring the noise! dangerous behaviour rains bass in your face! if you caught their live show on boiler room recently then youll understand. these two are ready to take the dance floors by storm this year - a melding of the analog and digital minds.

we really dont know what they put into danish water, but somethings gotta be responsible for all that freeform talent pouring out of that country. think of whomadewho, jatoma, when saints go machine or kenton slash demon, all sharing a keen sense for structural complexity made accessible through emotion and pure boldness. these guys freed their minds a while ago, so the asses seemingly followed suit and now constantly demand to be shaken. with two of those acts already signed to kompakt and the other two being staff favorites since their first acoustic blurps, it was just a question of time until we would discover another totally unique producer from denmark. enters taragana pyjarama, a project whose music is as refined as it is chaotic, described by some as a fairytale with a bassline.
comes as double 10 inch vinyl, including cd-version of this release.

nina simone was one of the best blues singers of the 20th century. only someone the likes of billie holiday and bessie smith had the power to lay a soul bare like she could, as her stripped-down be my husband shows. naked like a field-holler, this song would later capture the imagination of jeff buckley and antony hegarty. nina simone never, ever disappoints.
re-released for the first time on vinyl since 1965, we hope we do >pastel blues< justice with this 180 grams audiophile vinyl pressing.

thats some serious shit ! is a new record label dedicated to old house music and to dancers. following the steps of kerry chandler, mr. fingers, ron trent, masters at work and so on... away from the hype, we want to bring back the spirit of the early 90s when house music was not only music, but a communion of body, soul, freedom and love. we hope to get you with us... in the dance, in the club. now ride on the sound

ho tep presents a raw and ice cold ep of grime instrumentals with a fresh and visoral twist. produced by spainsh upstart noaipre - an affilate of mwselee and bfelcha - the horda ep is the sound of pirate radio gone crazy. this is what happens when east london infects the minds of our europena conterparts. disconpubulated neon riddims. enjoy.
early support from elijah & skilliam, brackles, j rocc, chrissy murderbot, mweslee

geliebte provinz: solodebüt des frontmanns von the weakerthans.
inklusive mp3-downloadcode.

this monterous techno anthem is oscillating between n.cuer usual minimal style and physical records fearsome atmosphear, develloping with a huge leads and squeaky sounds, undoubtinglys been prepared to set fire on the floor. as for b side, we get two remixes made by the label co-owners and main artist mik zif and midwooder. the first is drilling deeper into darkness with a proper physical techno rave style rmx. when the second is digging deeper into minimal techno, bringing the original tunes a bit more of deepness, while still keeping it ultra dancefloor efficient. definitely about to make a lot of noise in the techno scene this year and further, overload destruction and its remixes appears to be unmissable titles for any minimal and techno sets!

dont scratch up yout table, use his set of two dishwasher-friendliy silcone record placemats to down the right groove for dinner. slip these reocords out of there sleeve and put a new spin on dining. breakfast, lunch, dinner, you can rock around the clock with this easy-to-clean, dust-resisitant placemats. and when you serve fish, make shure to crank the bass!

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated philadelphia international classics: the tom moulton remixes.

medical records is ecstatic to present the reissue of the essential >novels for the moons< by axxess. originally released in 1983, axxess is the brainchild of french multimedia artist patrick mimran. mr. mimran was co-director of lamborghini motors (along with his brother) at the time and fittingly released the album on the imprint lamborghini records. heavily influenced by german electronic pioneers klaus schulze, tangerine dream, and kraftwerk, mr. mimran commissioned the german engineer andreas bahrdt to build a custom complex synthesizer which eventually materialized into a 16 voice analog synthesizer of genius proportions.
presented on high-quality 180gram yellow vinyl in a limited edition of 1000 hand-numbered copies.

we are very proud and honered to release this ep by function aka dave sumner from sandwell district. one of technos true underground heroes, function (dave sumner) has been djing and making music for over 15 years. hailing from new york, he was seduced by techno music when jeff mills held a residency (as well as his own first) at the limelight in the early 90s. dave started to produce music and from the mid-90s onwards, put out music on damon wilds synewave and his own infrastructure imprint. together with regis (karl o connor) he worked as portion reform, putting out uncompromising music on downwards and becoming the only non-birmingham producer to release on the label. in 2008 dave moved to berlin, still working with regis, and now silent servant (john mendez), put his focus on the acclaimed sandwell district imprint. obsessed is a supper powerfull floating track for the dancefloor, a typical function production. this ep also contains remixes from substance and scb aka scuba, both peak-time tracks.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

above machine is a record label run by steve lee (the project club). seconds is the alter ego of markus enochson and luciano leiva. together with singer linus lutthi they deliver >another day< which is a breezy, balearic affair with the solemn moodiness of nick drake. it is reminiscent of late end-of-summer days when time seems to stand still, but in the most bittersweet of ways. remixes are provided by lexx - who once again adds that subtle disco blend whilst drinking an estrella at the beach bar. the seahawks dive deep and provide an ambient masterpiece, which lures you deeper into their crazy world of delays, reverb and a studer a80 running backwards in a shoreditch broom cupboard.

lampuka records is a new underground electronic music label dedicated to releasing quality music on limited vinyl pressings & digital. the ethos for lampuka according to boss raimo: thought provoking and mood evoking. i want people to remember when they first encountered a lampuka.
the labels inaugural release features original tracks from head honcho raimo and up and coming producer tomas rubeck, who has a growing number of releases under his belt. lovingly hand stamped and limited to 375 physical copies, this release also features a spellbinding remix from edinburghs finest deep house confectioner gavin sutherland aka fudge fingas - known for his sublime work on prime numbers and the uber collectible firecracker imprint.

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

zum 40. jubiläum des legendären philly-labels erscheinen in kooperation mit expansion eine reihe limitierter 7 inch vinyle mit den besten klassikern!